History and Background
All Mod Cons is the third studio album by the British band The Jam, released in 1978 by Polydor Records. The title, a British idiom one might find in housing advertisements, is short for “all modern conveniences” and is a pun on the band’s association with the mod revival. The album reached No. 6 in the UK Albums Chart.
The album was reissued in the US in 1979, with the song “The Butterfly Collector” replacing “Billy Hunt”.
The making of all mod cons ★ The Jam
Following the release of their second album, This Is the Modern World, the Jam undertook a 1978 tour of the US supporting American rock band Blue Öyster Cult. The Jam were not well received on the tour and This Is the Modern World failed to reach the Billboard 200 chart.
Under pressure from their record company, Polydor, to deliver a hit record, songwriter Paul Weller was suffering from writer’s block when the band returned to the UK. Weller admitted to a lack of interest during the writing/recording process, and had to completely re-record a new set of songs for the album after producer Chris Parry rejected the first batch as being sub-standard. All Mod Cons was more commercially successful than This Is the Modern World.
British Invasion pop influences run through the album, most obviously in the cover of The Kinks‘ “David Watts“. The single “Down in the Tube Station at Midnight“, which Weller had originally discarded because he was unhappy with the song’s arrangement, was rescued from the studio bin by producer Vic Coppersmith and became one of the band’s most successful chart hits up to that point, peaking at number 15 on the UK Singles Chart.
Down In The Tubestation At Midnight
The song is a first-person narrative of a young man who walks into a tube station on the way home to his wife, and is beaten by far right thugs. The lyrics of the song “To Be Someone (Didn’t We Have a Nice Time)” criticised fickle people who attach themselves to people who enjoy success and leave them once that is over.
To Be Someone (Didn’t We Have A Nice Time)
“Class issues were very important to me at that time …” said Weller.
All Mod Cons was reissued on CD in 2006, featuring a second disc of b-sides, outtakes and unreleased demos and a DVD containing a 40-minute documentary directed by Don Letts.
“not only several light years ahead of anything they’ve done before but also the album that’s going to catapult the Jam right into the front rank of international rock and roll; one of the handful of truly essential rock albums of the last few years.”
Dave Schulps of Trouser Press stated that:
“All Mod Cons firmly establishes Paul Weller (and the Jam) as a major talent (and band) for the ’80s.”
NME ranked All Mod Cons as the second best album of 1978 in its end of year review.
All songs written by Paul Weller except as noted
- “All Mod Cons” – 1:20
- “To Be Someone (Didn’t We Have a Nice Time)” – 2:32
- “Mr. Clean”* – 3:29
- “David Watts” (Ray Davies) – 2:56
- “English Rose”** – 2:51
- “In the Crowd” – 5:40
- “Billy Hunt” – 3:01 (UK and 1st US pressings)/”The Butterfly Collector” – 3:11 (US reissues)
- “It’s Too Bad” – 2:39
- “Fly” – 3:22
- “The Place I Love” – 2:54
- “‘A’ Bomb in Wardour Street” – 2:37
- “Down in the Tube Station at Midnight” – 4:43
**Neither the title nor lyrics of “English Rose” were printed on the original vinyl release of All Mod Cons due to Weller’s feeling that the song’s lyrics didn’t mean much without the music behind them.
2006 CD reissue bonus tracks
The UK version of the album was re-released on 5 June 2006 with a disc of bonus tracks, all of which were previously available with the exception of the demo versions of “Mr. Clean” and “Fly”.
- “News of the World” (single)
- “Aunties and Uncles” (Impulsive Youths) (b-side)
- “Innocent Man” (b-side)
- “Down in the Tube Station at Midnight” (single version)
- “So Sad About Us” (b-side)
- “The Night” (b-side)
- “So Sad About Us” (demo)
- “Worlds Apart” (demo)
- “It’s Too Bad” (demo)
- “To Be Someone” (demo)
- “David Watts” (demo)
- “Billy Hunt” (alternate version)
- “Mr Clean” (demo)
- “Fly” (demo)
Paul Weller – guitar, piano, harmonica, vocals
Bruce Foxton – bass, vocals
Rick Buckler – drums, percussion
Chris Parry – associate producer
Gregg Jackman, Roger Bechirian, Vic Coppersmith-Heaven – soundboard engineer
Peter Schierwade, Phil Thornalley – assistant engineer
Bill Smith, The Jam – design
Peter “Kodick” Gravelle – photography
See: The Jam wikipedia
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